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Online Screening

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Public Event

Other Colors
Thursday,16/01/25, 10:00 (CET)–Saturday, 18/01/25, 22:00 (CET)

Collective for Black Iranians, Parking Video Library, Shur Collective

The screening program Other Colors points to the ways in which color and color classifications have been used as a technique of Othering and exclusion throughout modernity and into the present. It looks at color as an expression of racism as well as empowerment, at the use of color in art as a tool for socio-political critique, and at the connection between color and human emotion.

Other Colors was conceived around the themes of the exhibition Tradu/izioni d’Eurasia Reloaded which was on display at MAO Museo d’Arte Orientale, Turin, April 12-September 1, 2024. The exhibition narrated the journey of art, culture, traditions, and language from East Asia to the Mediterranean (and back), focusing on color. An important reference for the exhibition was the 1903 publication Color Problems by Emily Noyes Vanderpoel, a comprehensive handbook of color theory and practical advice on the use and application of color in art, decoration, and fashion. With these reflections on aesthetics in mind, the screening and artist talk took color and color symbolism as a starting point for unlearning orientalist, racist, and othering color systems and imagining an aesthetic that leads to new social meanings.

Art historian and curator Hannah Jacobi (mohit.art) invited Collective for Black Iranians (CBI), the archive Parking Video Library (PVL), and Shur Collective to contribute videos and films for the screening program.

Other Colors was commissioned by MAO and was first screened in frame of Tradu/izioni d’Eurasia Reloaded in Turin on July 4, 2024, and was streamed live on www.mohit.art. We are delighted to be able to show the program again online for three days! The occasion is the launch of the recording of the artist talk with Priscillia Kounkou Hoveyda for CBI, Amirali Ghasemi for PVL, and Shokoufeh Eftekhar and Zolfar Hassib for Shur Collective. Moderated by Hannah Jacobi.

Screenings

Part 1: Siyah Zibast – Black is Beautiful

Compilation screened at MAO on 04/07/2024. Courtesy of the aritsts, Collective for Black Iranians, and MAO.

Collective for Black Iranians (CBI) produces creative and critically conscious content that proposes an Iranian culture fully at its Black and African intersections. For Other Colors, the collective will present a series of micro and short films that weave black Iranian narratives to resist racial erasure and write, Siyah Zibast, Black is Beautiful.

Spirits of the Winds by Priscillia Kounkou Hoveyda, 2023, 1:40 min.
Black Pearl by Ebrahim Albo, 2022, 1:56 min.
First Time My Family Met Me by Priscillia Kounkou Hoveyda, 2021, 2:06 min.
Black Pearl: Mr. Razmi by Ebrahim Albo, 2021, 2:17 min.
Voices from Home: Hosna by Hosna Nasimi, 2021, 0:55 min.
Voices from Home: New Year in the South by Pegah Bahadori, 2021, 0:47 min.
Voices from Home: Melika by Melika Khorsandipor 2022, 0:45 min.
Black Is Beautiful 1 by Sarah Farajzadeh 2021, 3:42 min.
Black Is Beautiful 2 by Sarah Farajzadeh, 2021, 1:01 min.

Part 2: Towards Colorlessness

Compilation screened at MAO on 04/07/2024. Courtesy of the artists, Parking Video Library, and MAO.

Parking Video Library (PVL, Tehran/Berlin) is an archive of moving image and video art from the 1980s to the present. PVL’s Bahar Ahmadifard and Amirali Ghasemi curated the collection Towards Colorlessness: in the five short films presented, vibrant colors give way to stark monochromatic expressions that shift to muted tones and end in a female introspection where color is reduced to the beiges of a kitchen floor to be cleaned. Towards Colorlessness encapsulates this fading transition while addressing pressing social, environmental, and therefore political grievances.

Kaleidoscope by Martin Shamoonpour, 2011, 3:12 min.
GPS by Morteza Soorani, 2017, 2:34 min.
A Soft Revenge by Mansoore Ghasemi, 2023, 0:40 min.
Where Are the Potter, Seller, Buyer? by Mansoore Ghasemi, 2023, 0:39 min.
The Hours by Hoda Amin, 2016, 2:25 min.

Part 3: De-Humanization

Salar Pashtoonyar, Hills & Mountains, 2022, 8:04 min. This video is copyrighted by The New Yorker, which is why we are embedding it via their YouTube account. Courtesy of the artist.
Edited version of the compilation screened at MAO on 04/07/2024 with the films Berlin Kabul by Frishteh Sadati and Lin Xin, 2021, 10:27 min; and Fiktionsbescheinigung by Shokoufeh Eftekhar, 2023, 7:23 min. Courtesy of the artists, Shur Collective, and MAO.

Shur Collective brings together PoC queer-feminist, interdisciplinary artists and activists who, coming from diverse backgrounds, share a common political perspective through art, space, and interaction. In their articulation of Other Colors, De-Humanization, Shur Collective brings the impact of human emotions to the forefront: “Dehumanization” deprives people of empathy and distances them from their emotions. Whatever happens to the Other does not evoke an emotional response. By removing the “de,” “humanization” means restoring the emotions and empathy inherent in being human. This recurring theme of reconnecting with human emotions is evident in the films selected, which range from Kabul to Berlin. De-Humanization was collected by Shokoufeh Eftekhar, Zolfar Hassib, and Roya Noorinenezhad from the collective.

Hills & Mountains by Salar Pashtoonyar, 2022, 8:04 min.
Berlin Kabul by Frishteh Sadati and Lin Xin, 2021, 10:27 min.
Fiktionsbescheinigung by Shokoufeh Eftekhar, 2023, 7:23 min.