Je suis inculte ! revisits the legacy of the annual juried Salon d’Automne in Beirut from the Sursock Museum’s inauguration in 1961 — the year the private villa of Nicolas Ibrahim Sursock became the first, and only, public museum of modern and contemporary art in Beirut — until the present day. The salon served as an appropriate exhibition model for a newly independent nation, as an academy capable of training young artists, and as a tastemaker for audiences.
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Curated by Idil Tabanca, this exhibition features international artists and designers whose creations transcend traditional boundaries in painting, sculpture, installation, and furniture design, redefining the relationship between form and function. In an era where modern humans spend more than three-quarters of their lives indoors, nature feels more distant than ever. “Creatures of Comfort” explores works that create space for nature to re-enter our urban lives.
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The exhibition, presenting an up-to-date selection from the Borusan Contemporary Art Collection, focuses on how spiral cycles, which define human existence, are interpreted by contemporary artists. Evolving regularly since the 2000s through commissions and acquisitions, the collection provides viewers with an in-depth interaction with different formations, issues, and ways of seeing in today’s world, bringing together works by artists who navigate between the physical and virtual realms.
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Tala Madani’s first solo exhibition in Washington State presents all-new work commissioned by the Henry Gallery, continuing her exploration of symbols, language, and power dynamics in society. Known for her provocative paintings and installations, Madani blends humor with critical insight, often depicting vulnerable, violent, and perplexed human figures. Her characters inhabit detailed, dream-like spaces that evoke the unconscious. Madani’s use of light as a medium exposes and reveals, while new works, including mural-like paintings and film-strip animations, deepen her practice. Visitors are immersed in a multi-sensory experience, engaging with her fantastical characters and uncanny imagery.
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“Journey of Colors” showcases 125 photographs from İzzet Keribar’s vast archive, highlighting his mastery of color, light, and composition. Spanning from the 1950s to today, the exhibition captures Istanbul’s evolving streets, global landscapes, and striking portraits. Keribar transforms the ordinary into the extraordinary, inviting viewers on a visual journey through history, culture, and emotion, creating a universal language through imagery.
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Hamburger Bahnhof presents Germany’s first major retrospective of Turkish painter and opera singer Semiha Berksoy (1910–2004). Spanning six decades, it explores her ties to Berlin and the intersection of opera and visual art. Featuring 80+ works, archival materials, and rare recordings, the exhibition highlights her bold style, operatic roles, and lasting cultural impact in Turkey and beyond.
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From Doha to Damascus, AI-backed tools are revolutionizing journalism, augmenting the creation, distribution and consumption of media. However, the motives behind AI’s use remain contentious, with concerns about deception, undermining public trust and perpetuating societal divisions. Through evidence-based storytelling, data visualization, case studies and artistic interpretations, the exhibition explores four key themes: Hindsight, Insight, Oversight and Foresight.
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A Shroud is a Cloth by Adrian Pepe explores themes of memory, renewal, and material transformation using a woolen textile that previously wrapped a building damaged in the 2020 Beirut Port Explosion • The Lebanon-based Honduran artist’s practice highlights the relationship between materials, cultural landscapes, and ecological intimacy, presenting a poetic dialogue on transformation and resilience.
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Bringing together artists from Tate’s Collection, Gathering Ground explores the connection between environmental and social justice. Featuring works by Outi Pieski, Abbas Akhavan, Bruce Conner, Zheng Bo, and others, the exhibition honors Indigenous knowledge, queer multispecies relations, and the impact of land displacement. Set in a former power station, it invites reflection on our role in shaping a more just and sustainable future.
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Drawing on the treasures preserved in the IMA Museum’s collections, this exhibition highlights a richness and diversity like no other: that of Arabic calligraphy in all its expression, from the first pages of the Quran to its investment in new media.
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Sharjah Biennial 16, titled “to carry,” is a multivocal, open‐ended invitation to explore diverse formations and the many ways we bear histories, memories, and dreams. It challenges us to reflect on what we carry when we travel, flee, or remain, linking precarious present spaces with intergenerational legacies and imagined futures. Through a range of curatorial practices—from residencies and workshops to sonic experiments and expanded publications—the Biennial becomes a collective wayfinding process. In this threshold of dialogue and experimentation, art and community converge to share stories of resilience and transformation. Each work deeply echoes hope, and relentless renewal in fine art.
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Hussein Nassereddine’s solo show at Beirut Art Center presents the artist’s profound exploration of time and memory. It delves into the fates of the years, both near and far, through the lens of language, song, and personal history.
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The solo exhibition by Berlin-based collective Slavs and Tatars, Simurgh, explores themes of unity, coexistence, and belonging through sound, glasswork, textiles, and mirrors. Inspired by the mythological Simurgh, the show connects Persianate and Eurasian histories with local traditions of Baden-Baden. Transforming the Kunsthalle into a space for dialogue, Simurgh reimagines storytelling as a living, regenerative force bridging past and present.
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From a large number of applications, a jury of five art professionals has nominated a total of eight artists who live or work in Neukölln. Galerie im Saalbau presents the works of the nominees in a group exhibition, giving visitors an authentic insight into the diverse art production of Neukölln artists.
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YAY Gallery presents Identity Drift, Said Sharif’s first solo exhibition, exploring identity and self-expression. The show features six years of documentary photography, site-specific installations, and ready-made objects. Highlights include Papag, a playful take on traditional Caucasian hats, and Windy Windshields, an archival project on Baku’s car culture. A VAZ-21011 Zhiguli car is displayed, reflecting the Avtosh subculture’s influence.
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Working across drawing, writing, performance, and sculpture, Ghandour blends imaginative storytelling with factual observation.
Drawing from her experiences in Dubai, Sharjah, Cairo, and Rotterdam, Rooms for Error examines the fast-forward city—a place where infrastructure struggles to keep up with expansion, where characters exist in a state of chronic uncertainty, and where architecture itself seems on the verge of collapse. The works reflect on the adaptability, or failure of the human body in these unstable environments.
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YARAT Contemporary Art Space presents Me and the Ark, Me and the Great Flood, a group exhibition inspired by Nasimi’s philosophy. Featuring sculptures, installations, and audiovisual works by Azerbaijani and international artists, the show explores perception, identity, and the blurring of boundaries in the digital age. Through diverse media, the exhibition reflects on inclusion, decolonization, and our responsibility in shaping the world.
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Neuer Berliner Kunstverein (n.b.k.) and the KINDL – Centre for Contemporary Art present recent works by international artists who were awarded the 2024 visual arts work stipend of the Berlin Senate. Spanning two venues, the exhibition features works across the mediums of video, sound, painting, sculpture, installation, and performance.
Curator: Sadaf Vasaei
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Zilberman presents In the Family of Things, Itamar Gov’s second solo exhibition at the gallery, on view from March 4 to May 15, 2025. Inspired by Mary Oliver’s poem Wild Geese, Gov explores identity, memory, and uncertainty through diverse media. His works examine time’s fluidity and the tension between history and the future, inviting viewers to reflect on their place within intimate and collective narratives.
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The exhibition Musafiri: Of Travellers and Guests explores the shared linguistic and cultural resonance of the word musafir, meaning ‘traveller’ and, in some languages, ‘guest.’ It reflects on migration, displacement, and hospitality, tracing journeys from historical figures like Lourenço da Silva Mendonça to modern migrant workers. Through art and history, it questions power, belonging, and the structures that define who is welcomed and who remains a perpetual traveller.
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The Azerbaijan National Museum of Art presents Y. Pen, Y. Kruger: Founders of Art Education in Belarus, an exhibition celebrating the 170th anniversary of Yuri Pen and the 155th anniversary of Yakov Kruger. Showcasing 61 paintings and graphic works from the National Art Museum of Belarus, it highlights the artistic legacy of these influential mentors and their students, including Marc Chagall and Michael Kikoine.
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Pi Artworks Istanbul presents Touched by Image, a solo exhibition by Aslı Torcu exploring the disappearance and rebirth of images in uncertainty. Torcu’s multilayered paintings reflect the paradoxes of memory and time, where past, present, and future intertwine. Inviting contemplation, the works reveal an evolving visual language shaped by spontaneity, erasure, and re-emergence.
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‘I Paint Your Grace, I Paint Your Pain, I Paint Love’ , unveils a compelling selection of never-before-exhibited works that delve into themes of memory, identity, and transformation. Marking his first solo exhibition in half a decade, the show presents artworks from three of his acclaimed series: The Hunt / Riders, Day and Night / Fig Leaf, and Migration / Grey Zone. In these works, past and present converge, offering a rare glimpse into Derakshani’s artistic vision where form, color, and narrative intertwine in a profound exploration of the human experience.
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This is the first major solo exhibition in Italy of Iranian artist Shirin Neshat. It spans more than 30 years of Neshat’s career, featuring nearly 200 photographs and ten video installations. Neshat interprets both the history and present of her homeland, Iran, and the wider world through a female perspective. Her work delves deep into social and political issues.
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GAZELL.iO presents Morehshin Allahyari in the Project Space, coinciding with her April residency. The exhibition features Speculations on Capture (2024), a poetic film first showcased at the Victoria and Albert Museum, exploring displaced Islamic astronomical instruments through digital reconstruction. Allahyari, known for conceptualizing “digital colonialism,” challenges museum frameworks by blending historical research with speculative fiction, reimagining lost narratives. Through 3D scanning and digital intervention, she reclaims cultural memory, reshaping how heritage is preserved and understood.
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Featuring a diverse range of artworks—including visual installations, photography, sound pieces, and video works—the exhibition brings together the work of eighteen artists and artist duos from occupied Palestine and the diaspora. Their collective practice expands and liberates the notion of the archive, transforming it from a rigid tool to define identity into a generative space for reclaiming imagination and envisioning the future.
Curator: Reem Shadid
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The Image Festival Amman, organized by Darat Al Tasweer since 2011 in partnership with many local and international institutes, aims to create a gathering platform for photographers in the region, attract a wider audience and create opportunities for sustainable cultural exchanges, involving both professional and amateur photographers.
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In The Promise, artist Bashir Makhoul reflects on home as both a sanctuary and a site of loss. Born in Galilee and now based in Canada, Makhoul explores his relationship with his homeland in this exhibition, examining its emotional and psychological complexities. His work captures the tension between nostalgia and rupture, presence and displacement, permanence, and impermanence.
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New American Realism features more than 150 works by American artists from the Tony and Elham Salamé collection, presented in collaboration with their Aïshti Foundation. One of today’s most dynamic contemporary art institutions, the Foundation was established twenty-five years ago by the Italian-Lebanese entrepreneur Tony Salamé.
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Ayyam Gallery is pleased to present Tterss a solo exhibition featuring Sama Alshaibi’s most recent body of work. The exhibition brings together mixed-media collages and video art that reimagine Baghdad’s transformation—its peaks, declines, and latent possibilities. Through Alshaibi’s work, Baghdad becomes a site of physical presence and alternative visions—one that is ““always mediated, annotated, and glimpsed through shifting thresholds.
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In her work, Maryam Hoseini explores the concept of ruins in a politicized social space. Hoseini captures empty historical echoes as bodies walk among the literal and figurative, the visible and invisible ruins of objects and architectures. In the context of the censored female figure, Hoseini presents her subjects as nude, cast simultaneously as unrealistically flattened diagrams of the human body, and hyperrealistic disembodied limbs covered in hair. Her recent work is made up of multiple fragments, strategically balanced upon one another and anchored into the wall behind at a single point, where she builds her ongoing curiosity in space and sequence as a formula for a narrative where she confronts her viewers perception, preoccupation and projections of identity. These interjections within the gallery’s white cube serve as a way in which the artist rebuilds and elevates these fractured stories, now sturdily supported with weighted columns of opaque color.
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For the 4th edition, “What We Learn When Systems Fail: Alternative Models of Knowing and Curating”, curator Fereshte Moosavi has invited practitioners, researchers, and educators to share their perspectives through talks and discussions. The Tehran Curatorial Symposium takes place at Didar Art Gallery, Tehran, in collaboration with Charsoo Honar. A selection of the program will be live streamed at www.mohit.art.
Since the very beginning of Nooshin Shafiee’s practice, Tehran has been the central subject of Nooshin Shafiee’s photography. Her ongoing and complex relationship with the city has shaped a precise and sensitive gaze that perceives Tehran not as a fixed structure but as a shifting, unstable ground in constant transformation. The city breathes like a living creature in her work, revealing new layers of wonder each time.
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Designers are welcome to bring their own models. We believe fashion is a powerful form of rebellion, freedom, and self-expression—a statement that goes beyond fabric. A fundraising solidarity event for Palestine.
Deadline for submission: April 20th
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