“Black and White: A Photographic Treasure” ois an exhibition dedicated to black and white photography in Morocco, highlighting this technique as a “treasure” due to its timeless artistic character and its ability to highlight contrasts and lights beyond the simple representation of reality in color. This term emphasizes that black and white, far from being a simple constraint, is a justified artistic choice that allows to bring out another dimension of the photographed subjects.
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Bringing together artists from Tate’s Collection, Gathering Ground explores the connection between environmental and social justice. Featuring works by Outi Pieski, Abbas Akhavan, Bruce Conner, Zheng Bo, and others, the exhibition honors Indigenous knowledge, queer multispecies relations, and the impact of land displacement. Set in a former power station, it invites reflection on our role in shaping a more just and sustainable future.
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YARAT Contemporary Art Space presents Me and the Ark, Me and the Great Flood, a group exhibition inspired by Nasimi’s philosophy. Featuring sculptures, installations, and audiovisual works by Azerbaijani and international artists, the show explores perception, identity, and the blurring of boundaries in the digital age. Through diverse media, the exhibition reflects on inclusion, decolonization, and our responsibility in shaping the world.
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Gaza is home to a wealth of archaeological sites from all eras that are now in peril. The IMA is therefore offering an exceptional collection in more ways than one, made up of highly valuable pieces that the vagaries of history have saved from disaster and which reveal the depth of its history, a priceless treasure whose complexity is reflected in this exhibition.
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The IMA Museum is renewing the photographic exhibition at the entrance to its exhibition (level 7): alongside the exhibition “Treasures Saved from Gaza. 5,000 Years of History,” it is offering a rich selection of old photographs from the collections of the Oriental Library of Saint Joseph University in Beirut (@bo.usj), dedicated to the sites and monuments of Lebanon—greatly endangered by Israeli bombardments—and shown for the first time in France.
In addition, the museum is exhibiting for the first time Li Bayrut, a large bronze by Chaouki Choukini created in the aftermath of the explosion in the port of Beirut.
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Featuring a diverse range of artworks—including visual installations, photography, sound pieces, and video works—the exhibition brings together the work of eighteen artists and artist duos from occupied Palestine and the diaspora. Their collective practice expands and liberates the notion of the archive, transforming it from a rigid tool to define identity into a generative space for reclaiming imagination and envisioning the future.
Curator: Reem Shadid
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The exhibition “With My Own Eyes” invites us to immerse ourselves in the living Palestinian timeline through the lens of the French photographer Joss Dray, who describes herself as the “Resistance Photographer.” At a time when standing with Palestine was tantamount to professional suicide, Dray bravely documented the atrocities of occupation, tracing the unwavering Palestinian resistance—both in the occupied land and in refugee camps in Lebanon. Through her lens, she captured moments of truth and defiance, creating a visual testimony of a people’s unyielding struggle, from the Sabra and Shatila massacre to the First Intifada, through the Oslo years, and into the Second Intifada.
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“This is Not an Exhibition”, and certainly not a traditional one neatly displaying specific artworks by their artists. That is beyond our capabilities now; no one can do so, as basic communication with Gazan artists is almost impossible. They, like everyone else in the Gaza Strip, are resisting annihilation in a genocidal war. For months, they have been suffering the misery of displacement, hunger, and cold. They left their homes and studios behind, either destroyed or their destruction imminent, and have consigned their artworks to flames, shelling, and death. As for those who live outside Gaza, their hearts are being torn apart by the agony and martyrdom of their families, our families, and their fates. These considerations have made the mere mention of art seem a luxurious disconnection from reality, and consequently has made it seem preposterous to even think about creating a conventional exhibition.
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“Redrawing the Boundaries” traces the emergence of modern art movements across Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, and the United Arab Emirates, collectively referred to as the Khaleej. Rather than outlining a linear progression, the exhibition assembles practices that intersected during formative moments of nation-building, where the tension between tradition and modernity gave rise to distinct artistic vocabularies. The selected artists were not only influential in shaping modernist aesthetic languages but were also central to the founding of art institutions and the cultivation of cultural communities throughout the Arabian Peninsula.
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A fearless interdisciplinary artist (working across drawing, sculpture, installation, architecture, and video), Nazgol Ansarinia brings together a compelling set of practices converging toward a new stream of critical materialism (and minimalism) in contemporary art from the Global South. Her work opens new fields of investigation on the complexities of public infrastructure development. It also evokes the subjective memory — visual forms appealing to the viewer’s touch or bodily presence — hidden behind different strategic raw materials. By proposing new dialectics of materialism (a backlash to the idea that we would live in a dematerialized world and economy) and minimalism (more political, intimate, and resilient than Western 1960–70s minimalism), her work reveals contested spaces and memories, bearing witness to the city and its evolution — mainly Tehran, in Iran.
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Monument of Oblivion: River of Lethe by Neda Saeedi with Nicholas Busmann is a sound installation using building site elements in a continuous cycle of construction and deconstruction. Installed at a monastery ruin, it reflects on permanence and absence, collapse and renewal, and is accompanied by screenings, performances, readings, and an educational programme.
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Curated by Misal Adnan Yıldız, unbecomings gathers international artists to explore queer bodies, vulnerability, and resistance. Moving across drawing, photography, installation, and performance, the exhibition reflects on failure as possibility, the politics of visibility, and the search for collective forms of care and resilience in a world marked by crisis and transformation.
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In an era defined by violence, displacement and environmental crisis, the question of what survives catastrophe has become increasingly urgent. Through this new body of work, Adel Abidin returns to painting to investigate how trauma inscribes itself upon landscape, memory, and collective consciousness. His return to painting amid our current global crises proves particularly resonant — the medium itself becomes a way of preserving and processing collective trauma, much as ruins continue to tell stories of both destruction and persistence.
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This exhibition surveys a decade of works (2015–2025) by Ahmad Morshedloo, presented in collaboration with Hashtcheshmeh Art Space and the Ahmad Morshedloo Foundation. Born in 1973 in Mashhad, Morshedloo is known for his realist paintings and drawings that engage deeply with social concerns. His works have been shown in leading galleries and museums worldwide, including the Met in New York, the Venice Biennale, and the Museum of Islamic Art in Berlin.
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Saleh Barakat Gallery presents “False Witnesses,” a solo show by the influential Iraqi artist Dia al-Azzawi (b. 1939), whose iconic work is inspired by the long and shared history of the Arab world, from ancient Mesopotamia to the present day. This exhibition is a biting critique of the corruption endemic to all political systems, seen through the prism of recent events in Iraq.
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The exhibition at Sotheby’s gallery space in DIFC is presented by Aisha Alabbar Gallery. It features works by leading contemporary artists Dr. Najat Makki, Khalid Al Banna, Sara Al Haddad, Sara Aref Ahli, and Samar Hejazi. It brings together a multi-generational group of artists whose practices engage with the themes of memory, identity, and the cultural residues that shape our present. Spanning painting, sculpture, textile, and glass installation, the exhibition presents a quiet but powerful meditation on how histories, both personal and collective, are carried through materials, gestures, and forms.
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Galeri Nev Istanbul presents Us and Them, Cevdet Erek’s second solo exhibition at the gallery. Continuing his Away Terrace series, first shown in 2023, the exhibition reintroduces stadium frame structures in a new site-specific installation. Using earth blocks from Central Anatolia, Erek explores unity and opposition, public space, and the controlled conditions of access and belonging.
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The free public display returns to The Regent’s Park, curated by Fatoş Üstek, including artists such as Assemble, Elmgreen & Dragset, Jaune Quick-to-See Smith and Erwin Wurm. Also “Neighbours”, a large-scale outdoor sculpture by Iranian artist Abdollah Nafisi (b. 1982) is on display, brought to the exhibition by Dastan Gallery, Tehran.
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Salt Beyoğlu presents We’ve Been at the Tapestry Studio Since the 90s, an exhibition tracing the history and impact of the Tapestry Studio at Mimar Sinan Fine Arts University. Established in the 1970s and transformed from the 1990s onward under Gülçin Aksoy, the studio combined weaving with contemporary art, fostering collective, experimental, and feminist practices that bridged academia, everyday life, and Istanbul’s independent art scene.
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GAZA BIENNALE – THE ISTANBUL PAVILION features the work of over 50 artists from Gaza, Palestine, and beyond. The exhibition unfolds across three floors at Depo, Istanbul during the 18th International Istanbul Biennale and is curated by House of Taswir in collaboration with the artists of the Gaza Biennale and international collaborators.
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Resting on three legs from 2025 through 2027, the 18th Istanbul Biennial is thoroughly feline. It secures its footing by stretching in time, following a rhythm nourished by conversations, gymnastics, and incessant news streams. Its first leg, running from 20 September to 23 November 2025, presents an exhibition with over 40 artists, alongside performances, screenings, and talks centred on themes of self-preservation and futurity. The second leg, in 2026, is dedicated to creating an academy and collaborating with local initiatives on a series of public programmes. In 2027, the biennial leans on its third leg to rest, bringing together what has been encountered along the way through a final round of exhibitions and workshops.
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P21 Gallery is proud to present “Against Erasure – Photographs from Gaza” a group exhibition co-curated by Yahya Zaloom, Photo Humanity Grant and Razan AlSarraf, featuring 11 artists: Mahmoud Abu Hamda, Belal Alhams, Jehad Alshrafi, Hammam Younis Alzyatuniya, Anas Ayyad, Majdi Fathi Suleiman Qraiqea, Belal Khaled, Ahmed Salama, Fatima Alzahra Shbair, Ali Jadallah, and Abdul Rahman Zaqout. From September 24th to October 10th, 2025, P21 Gallery will be exhibiting a survey of works created by the artists in response to being awarded the Photo Humanity Grant. It brings to light the extraordinary work of Gaza-based photographers who document the realities of life under one of the world’s most violent genocides. This exhibition is a vivid portrayal of the immense hardships endured, the unwavering resistance displayed, and the indomitable spirit of survival in Gaza, Palestine.
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A group show Curated by Foad Sharifi featuring works by Raana Farnoud, Dariush Hosseini, Farshid Maleki, Ali Nassir, Nicky Nodjoumi is being held at Emkan gallery.
5 Film & Photo Awards Festival is an international event for film and photography with the intention to create a bridge between different countries and cultures. The Festival is inspired by a 500 years old tree in the suburb of Damavand, located in the village of Aro, which was the subject of photographs by Abbas Kiarostami in different seasons for many years. The number 5 in the festival’s title derives from the movie 5 made by Kiarostami (2002). Festival 5 shows and supports independent artists from Iran and all over the world.
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Permanent Home of Displacement is an interdisciplinary art project bringing together the voices of five Crimean Tatar artists currently living in exile, in a state of constant mobility carrying with them a fractured sense of home. The exhibition explores the personal experiences of losing one’s land, culture, language, and roots. What is “home” for those who were forced to leave theirs behind? How can fragments of a lost identity be reassembled to create a symbolic space for restoration and resistance?
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This exhibition is part of the Festival d’Automne 2025. Paris des Vi(ll)es: Public Intimacies is an in situ artists’ residency, an exhibition, and a series of performances. Participating artists are: Bruno Carpentier, Sélima Chibout, Saad Eltinay, Nathalie Harb, Inssa Hassna, Djodjo Kazadi, Jeanne Tara, Vicente Lesser, Sandra Madi, Gabriela de Matos, Cara Michell, Androa Mindre Kolo, Mega Mingiedi Tunga, Oliver Musovik, Lasseindra Ninja, Léonce Noah, Efrin Özyetiş, Scénos Urbaines (François Duconseille and Jean Christophe Lanquetin), Sello Pesa, Rester.Étranger, Ika Ryu, Beatriz Santiago Munoz, Kristina Solomoukha + Paulo Codeluppi + Barbara Manzetti, Samuel Suffren, Ika Yuliana.
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Opening of the Paris des Vi(ll)es: Public Intimacies which is a part of Festival d’Automne 2025. Paris des Vi(ll)es is an in situ artists’ residency, an exhibition, and a series of performances. Participating artists are: Bruno Carpentier, Sélima Chibout, Saad Eltinay, Nathalie Harb, Inssa Hassna, Djodjo Kazadi, Jeanne Tara, Vicente Lesser, Sandra Madi, Gabriela de Matos, Cara Michell, Androa Mindre Kolo, Mega Mingiedi Tunga, Oliver Musovik, Lasseindra Ninja, Léonce Noah, Efrin Özyetiş, Scénos Urbaines (François Duconseille and Jean Christophe Lanquetin), Sello Pesa, Rester.Étranger, Ika Ryu, Beatriz Santiago Munoz, Kristina Solomoukha + Paulo Codeluppi + Barbara Manzetti, Samuel Suffren, Ika Yuliana.
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